Henri Evenepoel
Belgian Fauvism artist

Henri Evenepoel

Henri Evenepoel joined the 27 club on December 27, 1899. The cause of death is recorded as: Typhus

Henri-Jacques-Edouard Evenepoel was a Belgian artist born on October 3, 1872, in Nice, France, and tragically passed away on December 27, 1899, in Paris. Evenepoel's artistic journey began when he studied at the Académie Royale des Beaux-Arts in Brussels between 1889 and 1890 and later entered Paris's Ecole des Beaux-Arts in 1892. His time at the Parisian art school placed him in close contact with influential artists such as Henri Matisse, Georges Rouault, Albert Marquet, Edgar Maxence, Charles Milcendeau, and Léon Printemps.

Evenepoel's artistic contributions are most notably associated with Fauvism, a significant movement in modern art characterized by the use of vivid colors and expressive brushwork. Evenepoel's first major exhibition occurred at the 1894 Salon des Artistes Français, where he debuted a portrait of his cousin (Louise in Mourning). He continued to exhibit his work at the Salon du Champ-de-Mars until his death in 1899. Evenepoel's preferred subjects were family and friends, as seen in his full-length portraits that displayed influences from Édouard Manet and James Abbott McNeill Whistler. However, his Parisian scenes showed the impact of Henri de Toulouse-Lautrec and Jean-Louis Forain.

Evenepoel's artistic style underwent a transformation during his time in Algeria while on a solo exhibition tour. The bold colors and expressive brushwork evident in these works foreshadowed the developments of Fauvism, as exemplified by Orange Market and Blidah. Unfortunately, Evenepoel died at the young age of 27 due to typhus in Paris.

Evenepoel's legacy endures through his groundbreaking contributions to the Fauvist movement. His works continue to be celebrated for their expressive use of color and bold brushwork that defied traditional artistic norms of the time. The impact of Evenepoel's art can still be seen in various artistic movements that followed, solidifying his place as a significant figure in modern art history.